During his youth, Rob was never keen on the academic side of school, preferring to concentrate on more creative areas such as art, graphic design and of course music.

He soon became known as the guy to go to if you were after the latest music, with “The Raw and The Cooked” by Fine Young Cannibals and Madonna’s “Like a Prayer” among his first purchases – 10 year olds can be excused a lot of things!

The early 90’s arrived and with that a fascination with Rage Against The Machine, The Pixies, Radiohead & Nirvana, until Rob’s epiphany came in 1993, when somehow he stumbled across seminal electronic acts such as Man With No Name, The Dust Brothers, Orbital and in particular, Basic Channel, Underground Resistance & Leftfield.

To this day Leftfield play a major part in Rob’s obsession with all things electronic, his life dream being to persuade Leftfield’s Neil Barnes and Paul Daley to get back together again. He knows it might never happen, but if it’s not possible then he’s determined to get both to do exclusive mixes for Electronic Explorations

Rob began to explore the world of techno music, and in particular ‘Detroit’ and also the ‘Birmingham’ Techno sound. Underground Resistance, Metroplex, Jeff Mill’s Axis imprint, Transmat & Submerge Recordings, as well as UK rising star Dave Clarke.

By 1995 Rob’s personal CD collection was outstripping the size of his bedroom. The world-famous Q-Club in Birmingham, UK, became Rob’s home from home as the monthly Atomic-Jam and also the seminal club night H.O.G. ignited his love for nightclub culture, these two now legendary venue’s playing host to artists such as Surgeon, Regis, Female, Sirreal, Dave Clarke, Oliver Ho, Holy Ghost and Jeff Mills.

Then, one night in 1997, everything turned on its head. A late night/early morning radio show began on Radio 1, known simply as the ‘Breezeblock’ and hosted by a forward-thinking, enthusiastic and driven young lady named Mary Anne Hobbs. You could say the rest is history.

Over the next 30 months Rob stayed up each and every week recording and playing back the shows, discovering new types of music, clubs and scenes that shaped his musical tastes and cemented his love of all things electronic.

After graduating in Music Business Management & Marketing, Rob gained experience at ‘Good Looking Records’ (LTJ Bukem’s record label).

On a whim, Rob decided to email Mary Anne Hobbs, and soon after he and Mary were in regular contact. Work at Breezeblock HQ soon followed and Rob got the opportunity to learn first-hand what it took to make the radio show that he’d followed so religiously for all those years.

Now the time has come for Rob to go a step further and start his own show. Electronic Explorations is a weekly 90 minute Download / Podcast show which promises totally exclusive mixes from the cream of the electronic world; deviously crafted patchworks of carefully sewn rhythms, sonic contortions and delicate melodies – dubstep, minimal electronica, breakcore, techno and anything else that’s pushing the boundaries of electronic music.

The future is in safe hands; if you want to hear the latest, most ground-breaking electronic music the world has to offer, Electronic Explorations is the show for you.

“Let the music do the talking”

To date, Rob Booth’s ‘ELECTRONIC EXPLORATIONS’ has been featured in Clash Music Magazine, also Interviewed on Swedish fashion magazine Rodeo.

Rob has also featured on an hour long Desert Island Discs style radio show with ill.fm

Electronic Explorations – 4th – BEST RADIO SHOW (Dubstepforum Awards 2010)

Although Rob’s finest moment came when ‘ELECTRONIC EXPLORATIONS’ was reviewed by Erik Davis.

Erik Davis is an author, award-winning journalist, independent scholar, and lecturer based in San Francisco. He is the author, most recently, of The Visionary State: A Journey through California’s Spiritual Landscape, with photographs by Michael Rauner. He also wrote Led Zeppelin IV and TechGnosis: Myth, Magic, and Mysticism in the Age of Information, the latter a cult classic of visionary media studies that has been translated into five languages.